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Les Chants de Maldoror Paperback | Pages: 342 pages
Rating: 4.18 | 3165 Users | 187 Reviews

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Original Title: Les Chants de Maldoror
ISBN: 0811200825 (ISBN13: 9780811200820)
Edition Language: English

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The macabre but beautiful work, Les Chants de Maldoror, has achieved a considerable reputation as one of the earliest and most extraordinary examples of Surrealist writing. It is a long narrative prose poem which celebrates the principle of Evil in an elaborate style and with a passion akin to religious fanaticism. The French poet-critic Georges Hugnet has written of Lautréamont: "He terrifies, stupefies, strikes dumb. He could look squarely at that which others had merely given a passing glance." Little is known of the author of Maldoror, Isidore Ducasse, self-styled Comte de Lautréamont, except that he was born in Montevideo, Uruguay in 1846 and died in Paris at the age of twenty-four. When first published in 1868-9, Maldoror went almost unnoticed. But in the nineties the book was rediscovered and hailed as a work of genius by such eminent writers as Huysmans, Léon Bloy, Maeterlinck, and Rémy de Gourmont. Later still, Lautréamont was to be canonized as one of their principal "ancestors" by the Paris Surrealists. This edition, translated by Guy Wernham, includes also a long introduction to a never-written, or now lost, volume of poetry. Thus, except for a few letters, it gives all the surviving literary work of Lautréamont.

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Title:Les Chants de Maldoror
Author:Comte de Lautréamont
Book Format:Paperback
Book Edition:Anniversary Edition
Pages:Pages: 342 pages
Published:January 17th 1965 by New Directions (first published 1869)
Categories:Poetry. Fiction. Cultural. France. Literature

Rating Containing Books Les Chants de Maldoror
Ratings: 4.18 From 3165 Users | 187 Reviews

Piece Containing Books Les Chants de Maldoror
"The wish to be a pig is a desperation arising from the inability to be human."- Sreten Marić on Les Chants de MaldororThe six chants of Maldoror are an untouchable literal success through the scopes of dadaist and surrealist intention and Lautréamont's personal artistic catharsis. It might be a somewhat subjective and unprofessional thing to say, but I am certain that the writing process was exhilarating, and it could not have been so had it not been "burdened" by its classic form, since

The author writes "The songs" with the aim to astonish the reader, but all his pathos seems banal and perfunctory after World War II, KZs, Holodomor...Moreover, most of the songs repeat one another, and all this kitsch after 2-3 songs becomes boring.I recommend to read instead of "songs" the poem "A season in Hell" by Arthur Rimbaud.

The beginning of Canto the First ::May it please Heaven that the reader, emboldened and become of a sudden momentarily ferocious like what he is reading, may trace in safety his pathway through the desolate morass of these gloomy and poisonous pages. For unless he is able to bring to his reading a rigorous logic and a spiritual tension equal at least to his distrust, the deadly emanations of this book will imbibe his soul as sugar absorbs water.The beginning of Canto the Second ::What has been

Entirely unknown in its time, this work was eventually rediscovered by the surrealists who hailed it as one of the two masterpieces that informed their movement, especially the line: "The chance encounter on a dissecting table of a sewing machine and an umbrella." "The Songs of Maldoror" is a long imagistic prose poem about a relentless and possibly demonic anti-hero who has renounced God, mankind, and ultimately himself. Camus was also fascinated about this work and there are shadows of



If you want to read a book in which a single hair from God's head becomes an evil snake, and the protagonist tries to assassinate God, and the author attempts to disprove deism by comparing the overall ridiculousness of it to a rhinoceros, then this is the book for you. At times a triumph of surrealism, but at other times dry as heck. I enjoyed it.

If you have been following my reviews for any length of time you will be aware that there are many things of which I am afraid. Spiders! Fatherhood! Demonic possession! Death! Yet it is increasingly the shark that haunts my mind like he haunts the sea, silently slicing through the darkness until he is upon me, intent on ripping out my throat! He is a ghoul, shaped like a knife-blade. He is swift and agile madness, with the skin of an elephant and teeth like the sharpest shards of glass. How