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Henry Handel Richardson
Hardcover | Pages: 305 pages Rating: 4.13 | 280 Users | 28 Reviews
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| Original Title: | The Fortunes of Richard Mahony |
| ISBN: | 0848259637 (ISBN13: 9780848259631) |
| Edition Language: | English |
| Series: | The Fortunes of Richard Mahony #1-3 |
| Setting: | Australia |
Description Supposing Books Fortunes of Richard Mahony (The Fortunes of Richard Mahony #1-3)
Set in Australia during the gold-mining boom, this remarkable trilogy is one of the classics of Australian literature.Henry Handel Richardson’s great literary achievement, comprising the novels Australia Felix, The Way Home and Ultima Thule, weaves together many themes. Richard Mahony, despite finding initial contentment with his wife Mary, becomes increasingly dissatified with his ordered life. His restlessness is not understood by Mary, who has to endure the constant shattering of her security as Richard desperately attempts to free himself; his attempts finally plunge them into poverty. In the figure of Richard Mahony, Richardson captures the soul of the emigrant, ever restless, ever searching for some equilibrium, yet never really able to settle anywhere. Richard’s search, though, is also the more universal one for a meaning that will validate and give purpose to his existence.
Particularize Containing Books Fortunes of Richard Mahony (The Fortunes of Richard Mahony #1-3)
| Title | : | Fortunes of Richard Mahony (The Fortunes of Richard Mahony #1-3) |
| Author | : | Henry Handel Richardson |
| Book Format | : | Hardcover |
| Book Edition | : | Norwood Editions |
| Pages | : | Pages: 305 pages |
| Published | : | (first published 1930) |
| Categories | : | Classics. Cultural. Australia. Fiction. Historical. Historical Fiction |
Rating Containing Books Fortunes of Richard Mahony (The Fortunes of Richard Mahony #1-3)
Ratings: 4.13 From 280 Users | 28 ReviewsCrit Containing Books Fortunes of Richard Mahony (The Fortunes of Richard Mahony #1-3)
Cry Me a RiverI don't think I have ever cried so hard and so long as when I arrived at the end of this book.In Defence of Slow ReadingI read it at a time when I had the time and inclination to embrace and be embraced by a genuine epic.I don't know whether I would be as patient now, but that is my loss.Hopefully, you, with the time available to you, will be more patient than me and you will be rewarded more recently as well.Some things in life, as Paul Keating once said of his political opponent,This was a difficult one to rate. For most of the book (nearly 90% of it, according to my Kindle) I was ready to give up at any moment. I was going to give it a two-star rating. Not one star, because even in the depths of its interminably meandering middle, it had clear literary merit. But god, it was so BORING. In the chronicle of the lives of Richard and Mary Mahony, it felt as though the author left not a single day undescribed. And then, towards the end, it suddenly became not only
One of the most enjoyable books I have ever read, and easily the best Australian book. I continue to be amazed that this is not more well known and recognised as one of the best examples of Australian fiction. I read it as a three volume set and couldn't put it down.Highly recommended.
* 1000 novels everyone must read: the definitive list: Family and SelfSelected by the Guardian's Review team and a panel of expert judges, this list includes only novels no memoirs, no short stories, no long poems from any decade and in any language. Originally published in thematic supplements love, crime, comedy, family and self, state of the nation, science fiction and fantasy, war and travel they appear here for the first time.
To start with, a warning - this book is LONG. 942 pages of fairly small print. It's really three novels in one, so you need to be committed! The story is set in the latter half of the 19th century during the Australian gold rush and as the title describes, it tells of the rising and falling (and rising and falling...) fortunes of Richard Mahony, a man for whom the grass is always greener elsewhere. I found him incredibly frustrating and maddening, but also a strangely sympathetic character,
LOVED this book. Absolutely unputdownable
Ethel Florence Lindesay Richardson's use of a pen-name, adopted for mixed motives, probably militated against recognition especially when feminist literary history began. Maurice Guest was highly praised in Germany when it first appeared in translation in 1912, but received a bad press in England, though it influenced other novelists. The publishers bowdlerized the language for the second imprint.
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