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William H. Gass
Paperback | Pages: 652 pages Rating: 3.89 | 1304 Users | 180 Reviews
Particularize Of Books The Tunnel
| Title | : | The Tunnel |
| Author | : | William H. Gass |
| Book Format | : | Paperback |
| Book Edition | : | First Edition |
| Pages | : | Pages: 652 pages |
| Published | : | April 1st 1999 by Dalkey Archive Press (first published February 21st 1995) |
| Categories | : | Fiction. Literature. American. Novels. Literary Fiction |
Narrative Toward Books The Tunnel
Thirty years in the making, William Gass's second novel first appeared on the literary scene in 1995, at which time it was promptly hailed as an indisputable masterpiece. The story of a middle aged professor who, upon completion of his massive historical study, Guilt and Innocence in Hitler's Germany, finds himself writing a novel about his own life instead of the introduction to his magnum opus. The Tunnel meditates on history, hatred, unhappiness, and, above all, language.Specify Books Conducive To The Tunnel
| Original Title: | The Tunnel |
| ISBN: | 1564782131 (ISBN13: 9781564782137) |
| Edition Language: | English |
| Characters: | William Frederick Kohler |
| Literary Awards: | American Book Award (1996), PEN/Faulkner Award for Fiction Nominee (1996) |
Rating Of Books The Tunnel
Ratings: 3.89 From 1304 Users | 180 ReviewsEvaluate Of Books The Tunnel
We have not lived the right life But is there the right life to be lived?The Tunnel is one of those books one drowns in like in the ocean.The man of action has a destiny, a star he follows, and it draws him on like the Magi, or so its said; the taillight of a car, its said; the flag of a deer. The creator courts the muse, pays tribute and pursues: sucks, sips, sniffs, puffs, pops, screws for the favor of his Fancy. The visionary sees the future like a dream-draped dressmakers dummy, as silksA reread, first read about 20 years ago. I gave it more stars and wish there were more I could add because I think Gass is a brilliant writer. The Tunnel is almost what I call a language book kinda like Beckett or Joyce. He writes that well. It's an extended, encyclopedic meditation, a novel of 651 pages with no plot. It's a tunnel through the mind of William Kohler, a university professor who's written a huge history entitled Guilt and Innocence in Hitler's Germany. He sits in his basement
Ten stars.And what is the ultimate element in history but human lifehuman coupling, human pain? (P.130)Rage, or rather, impotent rage, is the dominant emotion of this book, sustained by the side notes of contempt, bitterness, and an all pervasive melancholy. At its barest bones, The Tunnel is an attempt at understanding one of the darkest chapters in History the Holocaust. That it becomes a subterranean exploration into a person's history and time & by extrapolation an exposition on the
The Tunnel is a frustrating book, a 26-year dig into a rich vein of sour kitsch. For all its ambition and high craft, I think it falls short in four related ways: its flirtation with formal experimentation, its belated ideas about history, its underdeveloped status as metafiction, and its limited range of affect.The books experiments with typography, drawings and cartoons, and concrete poetry give it a modernist patina, but are ultimately weak and unsystematic. First, they are inconsistently
The Tunnel is a difficult book to rate. As an achievement it is immense. It took thirty years to write, and it shows. The prose is careful and precise, full of allusions to literature, philosophy and life. It is wonderfully evocative, poetic: stumbling upon a perfectly formed sentence or unique turn of phrase is one of the great pleasures of this book. Its inventive: Gass utilises every conceivable method of breaking the default novel format, by messing with fonts and layout, adding pictures and
Gorgeously disgusting. Alliteration, assonance, consonance, and rhyme are all wielded in the name of bitterness - the fascism of the heart. My initial impression was that the style of The Tunnel approximates a jumbling-up of Omensetter's Luck, as though the difficult, distressed, singsongy (sure, a degraded-and-ing song at that) middle portion of OL were mixed in with the more pleasant prose from other portions. I'll have to reread the O Luck to see if those thoughts really hold court or not.
Some attempts to explain William Gass: i) I put him in the same category as Burton, Shakespeare and Joyce. If you disagree now, wait until I'm done, when you'll disagree even more: these four men, extraordinary geniuses in their own way, are the ultimate specialists. None of them have any imagination whatsoever. Their books either lack or steal plot and their ideas are predominantly dull or second-hand. Burton got around this problem by writing a medical treatise. Shakespeare stole almost
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